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Alan Morse
Guitar & Vocals |
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Guitars
Fernandez Sustainer, Fender Strat, Gibson Jazz, Danelectro Electric Sitar, GIbson Les Paul, Taylor 6&12-string acoustic, Moog Theremin |
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Pedal Board
Jim Dunlop Cry Baby Wah, Digitech RP-20, Digitech XP300 Space Station Pedal, Digitech Whammy Pedal, Moogerfooger Ring Modulator, Boss Graphic EQ |
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Other FX
Echoplex, Talk Box, DS-1 Distortion, Mutron, Vintage Univibe Pedal, Leslie Speaker, Big Muff Pi |
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Amps
Marshall 50 Watt half-stack |
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Dave Meros
Bass, Bass Pedals,
Keyboards & Vocals |
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Bass
1982 Rickenbacker 4001 modified with a Babicz Full Contact Hardware Bridge, 4 pickups: 2 in the usual Rickenbacker positions and 2 in the Fender Jazz Bass positions |
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Strings
DR Lo Riders |
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Bass Synth
Korg Prophecy triggered by Fast Forward Designs Midi Step pedals |
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Live Rig
Amp: Eden WT-1205 (with two preamp channels and two independent inputs).
Speakers:
2- Eden 410XLT cabs.
I split the signal coming out of my bass and run one line into my Digitech RP-21d pedalboard and the other directly into one channel of the WT-1205.
The output from the Digitech RP-21d goes into the remaining input of the Eden WT-1205.
I EQ the highs and mids out of the direct channel so that it is only low end and blend that with the Digitech channel since the settings I use on the Digitech pedalboard give me a sound lacking in low end.
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Recording
For recording I just go direct into Cubase (or ProTools or whatever) and use the IK Multimedia plug-in Ampeg SVX.
Before that plug in was available I used to go through the Digitech pedalboard and into a LIne 6 Bass POD (the POD was to simulate an amp, speaker and mic).
Before that I would actually set up my whole rig and put a mic on it. It was often very difficult to find an isolated room to do that, so I am very grateful for modern technology.
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Endorsements
Eden Electronics
DR Strings
Digitech
Hipshot Products
Full Contact Hardware
Seymour Duncan Pickups |
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Ryo Okumoto
Keyboards & Vocals |
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Live Gear
Hammond B3 Organ, Korg CX3, Leslie 145, Mellotron M400, Mini-Moog, Korg Trinity, Yanaha P200, Korg SN2000, Kurzweil K2000 Sampler, Roland M-120 mixer |
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Studio
Hammond B3 Organ, Leslie 145, Mellotron M400, Mini-Moog, Sequential Circuits Prophet 5, ARP Soloist, Kurzweil K2000, Korg SN2000,Korg CX3, Korg T2, KORG, Trinity, Korg TR Rack, Korg X5, Yamaha P200, Yamaha MOTIF7,Yamaha RX5, Yamaha QY20, Yamaha QY70, Yamaha DX100, Yamaha CBX-King, Roland D50, Roland S550, Roland MKS20, Roland Sound Canvas, Roland Jupiter 8, E-MU Proteus, E-MU Pro-Formance, Moog Prodigy, Hohner Clavinet, Casio AZ100 Remote Controller, Alesis D4, MAX Talk Box |
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| MacIntosh Powerbook G4 w/Protool, MCI400/24 Channel 16 Buss, YAMAHA AW16G, Technics DAT SV-DAIO, Lexicon LXP5, Lexicon LXP1, CAD Microphone, DBX166, Tascam DAT DA-30, PPS100, Roland M-120 Mixer, Roland SDE-1000, Alesis Midiverb 3, Alesis Microverb, Joe Meek VC3, Event 20/20, KRK KROK Speakers, Maxon Talking Machine |
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Endorsements
KORG Japan, UK, Europe, YAMAHA Japan |
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Ted Leonard
Lead Vocals,
Guitar |
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Guitars
Tom Anderson |
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Amps
Egnator and Line 6 |
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Jimmy Keegan
Drums & Vocals |
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Kit
Tama Drums
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| 20x18 Kick (Force 1 batter and resonant no hole)
16x14 Fl. Tom (Clear Response 2 batter/Classic Clear resonant)
14x12 Fl. Tom (Clear Response 2 batter/Classic Clear resonant)
12x7, 10x6.5 and 8x6 Toms (Clear Response 2 batter/Classic Clear resonant)
14x6 Bubinga Exotix Snare or 14x5.5 Starclassic Brass (Texture Coated w/Reverse Power Dot/Classic Clear Snare)
In the studio, the tom heads change to Texture Coated.
My Hardware is a custom Tama rack. I cut it down to be as minimal as possible.
Iron Cobra Rolling Glide double pedal and Iron Cobra Hi-Hat.
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| Cymbals
Paiste Cymbals
Cymbals vary a great deal with the session or gig but most of the time:
20" traditional Medium Ride
Crash Cymbals Studio:
20" Giant Beat
16" Twenty Crash
18" Dark Energy Crash
Live:
20" 2002 Power Crash
or 20" Giant Beat
16" Signature Power Crash
18" 2002 Power Crash
8" 2002 Splash
10" Signature Splash
16" Twenty China
18" or 20" Signature
or Twenty China
13" Twenty Hi-Hats
I've been known to also use a 20" Twenty Ride or 20" Signature Dry Ride but these are for very specific settings. Live cymbals vary mostly for durability.
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| I use a Yamaha DTX 12 Multipad to trigger additional percussion sounds or the rare extra track. This in conjunction with a Focusrite Saffire PRO 40 which also acts as my monitoring device into a MacBook Pro running Mainstage 2 (part of the Logic Studio package).
Microphones: Audio Technica
Kick: ATM 250DE with a May Systems internal mounting device
Snare: ATM 650
Hi-Hat: ATM 450
Rack Toms: ATM 350
Floor Toms: AE 3000
Overheads: ATM 350
My Vocal Mic is currently a custom made EV/ND 486 with a 767 capsule. We're working on something with AT.
Lately I've been using the Josh Freese H-220's.
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